A contribution to ArtSparker's New Year Caption Competition. Happy New Year!
4 years ago
"...10 of the 19 players stand on the stage around the piano; after a sound explosion they walk playing into the hall and take up position to the left and right of the audience (the remaining 9 players stay on stage). Towards the end they go back onto the stage, stand around the piano, and after a second explosion, all 19 players walk off the stage and out of the building, while continuing to play (the 9 players who were playing on stage have small portable instruments)." StockhausenStockhausen pursued these sort of preoccupations most sensationally in his helicopter string quartet (there's an excerpt from from it below - a good note to end this post on). Love it or hate it, it is perhaps, in its way, as embedded in our view of the universe today as Machaut is in the 14th century view:
"Also in this He shewed a littil thing, the quantitye of an hesil nutt [hazel nut] in the palme of my hand; and it was round as a balle. I lokid there upon with eye of my understondyng and thowte, What may this be? And it was generally answered thus: It is all that is made"This is a startling thing to read, especially to someone living today: it sounds almost like the sort of speculation a modern cosmologist might come up with. I'm not suggesting anything out of the ordinary or supernatural here. As I suggested, it would be foolish to pretend that one can understand the 14th century mind, but it's perhaps not surprising that her intuition should lead her to think like that. Physicists today often talk about the importance of intuition in what they do, even if they don't call it "the eye of their understanding".
The Shewings of Julian of Norwich (1373) (lines 148-51).